Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Prats, Santiago Rusinol
La Glorieta (Aranjuez) (mk20)

ID: 22492

Prats, Santiago Rusinol La Glorieta (Aranjuez) (mk20)
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Prats, Santiago Rusinol La Glorieta (Aranjuez) (mk20)


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Prats, Santiago Rusinol

Spanish, 1861-1931  Related Paintings of Prats, Santiago Rusinol :. | A Garden in Aranjuez | Garden in Aranjuez | Calvario de Sagunto | Garden in Aranjuez | The Kitchen of the Moulin de la Galette |
Related Artists:
Hendrik Cornelisz. Vroom
painted Ausfahrt der Ostindiensegler in c. 1630-1640
Massimo d Azeglio
1798-1866
BADALOCCHIO, Sisto
Italian Baroque Era Painter, 1585-ca.1619 Italian painter and etcher. His formation as an artist took place within the Carracci circle. According to Malvasia, he may have attended the Carracci Academy in Bologna, before returning to Parma in 1600 as the pupil of Agostino Carracci when the latter entered the service of Ranuccio I Farnese, 4th Duke of Parma. After Agostino's death in 1602, Badalocchio and his fellow pupil Giovanni Lanfranco were sent by the Duke to Rome in order to complete their training in the studio of Annibale Carracci, who was then working in the Palazzo Farnese. Badalocchio remained with Annibale until the latter's death in 1609. He participated in most of the projects that occupied the studio assistants during those years, such as the frescoes on the walls of the Galleria in the Palazzo Farnese and those previously in the Herrera Chapel in S Maria di Monserrato, Rome (now detached and divided between Madrid, Prado, and Barcelona, Mus. A. Catalunya), although his precise share in them is still debated. His first signed works are etchings, one (1606) after the antique sculpture of the Laokoon (Rome, Vatican, Mus. Pio-Clementino) and 23 (1607, part of a series of 54 executed in collaboration with Lanfranco) after Raphael's frescoes in the Vatican Logge; they reveal the romanizing character of his training. Yet his independent paintings of this early period reveal the influence of Lanfranco, which was to last throughout his career; the lively play of light and shade suggests his allegiance to Emilian art.






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